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职称:Professor of English, Cinema Studies and History of Art
所属学校:University of Pennsylvania
所属院系:Cinema Studies Program
所属专业:Film/Cinema/Video Studies
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Timothy Corrigan is a Professor of English and Cinema Studies at the University of Pennsylvania. His work in Cinema Studies has focused on modern American and contemporary international cinema. He received a B.A. from the University of Notre Dame, and completed graduate work at the University of Leeds, Emory University, and the University of Paris III. Books include New German Film: The Displaced Image (Indiana UP), The Films of Werner Herzog: Between Mirage and History (Routledge), Writing about Film (9th ed., Longman/Pearson), A Cinema without Walls: Movies and Culture after Vietnam (Routledge/Rutgers UP), Film and Literature: An Introduction and Reader (2nd ed., Routledge), The Film Experience (4th ed., Bedford/St. Martin’s), Critical Visions: Readings in Classic and Contemporary Film Theory (Bedford/St. Martin’s, both co-authored with Patricia White), American Cinema of the 2000s (Rutgers UP), and The Essay Film: From Montaigne, After Marker (Oxford UP), winner of the 2012 Katherine Singer Kovács Award for the outstanding book in film and media studies. He has published essays in Film Quarterly, Discourse, and Cinema Journal, among other collections, and is also an editor of the journal Adaptation and a former editorial board member of Cinema Journal. He is a member of graduate groups and an affiliated faculty member in the departments of English, History of Art, German, Women’s Studies, and Comparative Literature. In 2014 he received the Society for Cinema and Media Studies Award for Outstanding Pedagogical Achievement and the Ira H. Abrams Memorial Award for Distinguished Teaching in the School of Arts and Sciences at the University of Pennsylvania.
Timothy Corrigan is a Professor of English and Cinema Studies at the University of Pennsylvania. His work in Cinema Studies has focused on modern American and contemporary international cinema. He received a B.A. from the University of Notre Dame, and completed graduate work at the University of Leeds, Emory University, and the University of Paris III. Books include New German Film: The Displaced Image (Indiana UP), The Films of Werner Herzog: Between Mirage and History (Routledge), Writing about Film (9th ed., Longman/Pearson), A Cinema without Walls: Movies and Culture after Vietnam (Routledge/Rutgers UP), Film and Literature: An Introduction and Reader (2nd ed., Routledge), The Film Experience (4th ed., Bedford/St. Martin’s), Critical Visions: Readings in Classic and Contemporary Film Theory (Bedford/St. Martin’s, both co-authored with Patricia White), American Cinema of the 2000s (Rutgers UP), and The Essay Film: From Montaigne, After Marker (Oxford UP), winner of the 2012 Katherine Singer Kovács Award for the outstanding book in film and media studies. He has published essays in Film Quarterly, Discourse, and Cinema Journal, among other collections, and is also an editor of the journal Adaptation and a former editorial board member of Cinema Journal. He is a member of graduate groups and an affiliated faculty member in the departments of English, History of Art, German, Women’s Studies, and Comparative Literature. In 2014 he received the Society for Cinema and Media Studies Award for Outstanding Pedagogical Achievement and the Ira H. Abrams Memorial Award for Distinguished Teaching in the School of Arts and Sciences at the University of Pennsylvania.
