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职称:professor
所属学校:University of California-Riverside
所属院系:Art Studies
所属专业:Art/Art Studies, General
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Jim Isermann is a practicing artist, based in Palm Springs, California. Since receiving a MFA from the California Institute of the Arts in 1980 his artistic output has chronicled the conflation of post-war industrial design and fine art through popular culture. From functional installations to discrete objects Isermann has maintained an unflagging belief in the beauty of utilitarian design. He has explored traditional handicraft techniques and their polar relationships to fine art and craftsmanship to produce work that is unashamedly beautiful, a beauty integral to the limitations and specific characteristics of fabrication. In 1998, following a 15-year survey exhibition organized by David Pagel for UW Milwaukee's institute of visual art, Isermann began to use a computer to digitally design manufactured elements. Realized installations and commissions have employed mass-produced thermal die-cut vinyl decals and projects incorporating multiple vacuum-formed styrene panels and roto-molded polyethylene modules. The work has matured from didactic representations of the failure of modernism to the physical embodiment of pure design that is often in formal discourse with its site-specific architectural setting addressing pragmatic issues of function and materials.
Jim Isermann is a practicing artist, based in Palm Springs, California. Since receiving a MFA from the California Institute of the Arts in 1980 his artistic output has chronicled the conflation of post-war industrial design and fine art through popular culture. From functional installations to discrete objects Isermann has maintained an unflagging belief in the beauty of utilitarian design. He has explored traditional handicraft techniques and their polar relationships to fine art and craftsmanship to produce work that is unashamedly beautiful, a beauty integral to the limitations and specific characteristics of fabrication. In 1998, following a 15-year survey exhibition organized by David Pagel for UW Milwaukee's institute of visual art, Isermann began to use a computer to digitally design manufactured elements. Realized installations and commissions have employed mass-produced thermal die-cut vinyl decals and projects incorporating multiple vacuum-formed styrene panels and roto-molded polyethylene modules. The work has matured from didactic representations of the failure of modernism to the physical embodiment of pure design that is often in formal discourse with its site-specific architectural setting addressing pragmatic issues of function and materials.
