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职称:Professor
所属学校:University of California-Santa Barbara
所属院系:History of Art and Architecture Department
所属专业:History of Art and Architecture
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Sylvester Okwunodu Ogbechie specializes on the arts and visual culture of Africa and its Diasporas, especially in terms of how art history discourses create value for African cultural patrimony in the age of globalization. He is the author of Ben Enwonwu: The Making of an African Modernist (University of Rochester Press, 2008: winner of the 2009 Herskovits Prize of the African Studies Association for best scholarly publication in African studies), Making History: The Femi Akinsanya African Art Collection (Milan: 5 Continents Editions, 2011), and editor of Artists of Nigeria (Milan: 5 Continents Editions, 2012). He is the director of Aachron Knowledge Systems, and founder and editor of Critical Interventions: Journal of African Art History and Visual Culture. He organized and coordinated the First International Nollywood Convention and Symposium (Los Angeles, June 2005) that evaluated new media in contemporary African Visual Culture from the perspective of the internationally acclaimed Nigerian Video Film Industry. He subsequently founded the Nollywood Foundation in 2006 to formalize study and research of this phenomenon and produced annual international Nollywood conventions from 2005 to 2009. Ogbechie has received several fellowships, grants and award for his work from the Getty Research Institute, American Academy in Berlin, Rockefeller Foundation, Institute for International Education, Smithsonian Institution and a consultancy for the Ford Foundation. He was the 2010 Consortium Professor of the Getty Research Institute and served as guest editor for a History of Photography special issue on African Photography. His current project focuses on the politics of cultural patrimony debates as it affects demands for the repatriation of African cultural patrimony held in Western museums and institution. His research is widely published and he has lectured and consulted on African and African Diaspora arts for major museums in the USA, Europe, Africa and Asia.
Winter 2010: Consortium Professor at the Getty Research Institute, Los Angeles. 2009 - 2010: Fellow, Getty Research Institute, Los Angeles. July 1 2007 – date: Tenured Associate Professor of Art History, Department of History of Art and Architecture, University of California, Santa Barbara, California January 1 - March 31, 2008: Acting Director, Center for Black Studies, UCSB July 2001 - June 2007: Assistant Professor of Art History, UCSB November 2005 - date: Affiliate Faculty, Department of Black Studies, UCSB Septemb er 1, 2007 - date: Research Associate, Institute for Signifying Scriptures, Claremont Graduate University, Claremont, California. January 1 - June 30, 2001: Visiting Lecturer of Art History, Washington University St. Louis January 1 - December 31, 2000: Vis iting Instructor in Art History, Pomona College 1999 (Fall): Adjunct Instructor of Art History (part - time, non - tenure track position), DePaul University, Chicago 1999 (Summer): Instructor (part - time, non - tenure track position), Northwestern University 19 98 (Fall): Instructor, Dominican University, River Forest, IL 1995 – 1996: Teaching Assistant, Northwestern University Integrated Arts Program of the College of Arts and Sciences: Minor field program with emphasis on art process 1994 – 1995: Teaching Ass istant, Department of Art History, Northwestern University. 1988 – 1989: Lecturer in Painting and History of Art, University of Akwa - Ibom State, Nigeria.