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职称:Professor of Spanish
所属学校:University of Virginia-Main Campus
所属院系:: Department of Spanish
所属专业:Spanish Language and Literature
联系方式:434-924-7276
Degrees: DPhil, Oxford University MA, Oxford University BA, Oxford University Interests Andrew A. Anderson is Professor of Spanish in the Department of Spanish, Italian and Portuguese. He holds a BA, MA and DPhil from Oxford University. Before coming to Virginia, he taught at Oxford University and the University of Michigan. Specializing in later nineteenth-century and twentieth-century Peninsular literature, his research is principally concerned with Spanish poetry and theatre from the 1890s through to the 1930s. Professor Anderson has published twelve books and critical editions of Spanish literature, over sixty articles and book chapters, twenty-five bibliographies and over forty-five book reviews, and he has lectured extensively in the US, Canada, England, Scotland, France, and Spain. He is associate editor of the Boletín de la Fundación Federico García Lorca and a member of the editorial board of Romance Quarterly and Anales de la Literatura Española Contemporánea. In 1995 he was awarded the Excellence in Research Award, and in 2000 the Michigan Humanities Award, both by the University of Michigan; in 1996-2000 he held an Honorary Research Fellowship at the Centre for the Study of the Hispanic Avant-Garde (University of Aberdeen); and he has received grants for his research from the British Academy, the American Philosophical Society and the Spanish Ministry of Culture. Professor Anderson is currently working on a book concerned with the origins and foundation of the Spanish historical avant-garde movement Ultraísmo.
“La breve moda de la poesía visual en las revistas del Ultra”, in Laboratorios de lo nuevo: Revistas literarias y culturales de México, España y el Río de la Plata en la década de 1920. Actas del Coloquio Internacional, ed. Rose Corral, Anthony Stanton, & James Valender (Mexico City: El Colegio de México, forthcoming). “Futurism and Spain”, in Handbook of International Futurism, ed. Günter Berghaus (Berlin & New York: De Gruyter, forthcoming). “Necessary Sacrifices: From Romanticism to Naturalism in Galdós’s Marianela,” forthcoming in Bulletin of Spanish Studies, 91 (2014). “Futurism in Spain: Research Trends and Recent Contributions,” International Yearbook of Futurism Studies, 3, Special Issue on Iberian Futurisms (2013), 21-42. with Dru Dougherty, “Continuity and Innovation in Spanish Theatre, 1900-1936,” in The Cambridge History of the Theatre in Spain, ed. David T. Gies & María Delgado (Cambridge: Cambridge University Press, 2012), pp. 282-309. “‘Yo me froto las narices con las truchas del mar Rojo’: la poesía ultraísta de César González-Ruano,” Salina, 24 (2010) [pub. 2012], 45-56. “Narrative Structure and Epistemological Uncertainty in Carmen Laforet’s Nada,” Bulletin of Spanish Studies, 88 (2011), 541-561. “Concha’s Raven Locks: Narration, Motive and Character in Valle-Inclán’s Sonata de otoño,” Bulletin of Hispanic Studies, 88 (2011), 437-454. “Sex, Flippancy, Autobiography: Existential Palliatives in Valle-Inclán’s Sonatas,” Hispanic Review, 78 (2010), 387-409. “The Travel Guide as Avant-Garde Soapbox: Ernesto Giménez Caballero’s Trabalenguas sobre España,” Hispanic Research Journal, 11 (2010), 241-258. “Andrea’s Baggage: Reading (in) Laforet’s Nada,” Romance Quarterly, 57 (2010), 16-27. “América y la construcción crítica de la ‘Generación del ’27,’” in Actas del Congreso Internacional “El 27 en América,” ed. Joaquín Roses (Córdoba: Diputación de Córdoba–Delegación de Cultura, 2010), pp. 73-100. “Baeza, Ricardo (Bayamo, 1890-Madrid, 1956),” in Diccionario histórico de la traducción en España, ed. Francisco Lafarga & Luis Pegenaute (Madrid: Gredos, 2009), pp. 91-92. “Lorca en 1928,” in “gallo.” Interior de una revista. 1928, catálogo de la exposición, ed. Luis Muñoz (Madrid: Sociedad Estatal de Conmemoraciones Culturales / Patronato de la Alhambra y el Generalife, 2008), pp. 102-127.
