Biographical Sketch Marjorie Becker holds a doctorate and two of her three masters in Latin American History from Yale University. Her Yale dissertation, long taught in graduate courses, reveals the material cultural roots of Lazaro Cardenas, Mexico's most important twentieth century president's approach to government. Long viewed as highly popular, her multi-archival and oral historical work revealed the complex authoritarianism characteristic of his rule. Her monograph, Setting the Virgin on Fire, focuses on the grass roots resistance movement to the post-revolutionary government's efforts to transform its citizens. That movement, in fact, altered modern Mexican political culture. Her other m.a. is in History with a focus on the Deep South, African American History, the multiple relationships between Mexican poet Octavio Paz and the Mexican revolution; this m.a. is from Duke University. She served in the Peace Corps in rural Paraguay, teaching nutrition, textile arts, health and first aid to Paraguayan women and girls, and she did so in the unwritten indigenous Guarani language. She was invited to return to Paraguay to direct the program in which she served. She also worked as a former print journalist writing about race relations, health, the emerging nature of Southern life and culture. She has written and published about the Mexican revolution, its attendant counter-revolution, aboutthe artist Frida Kahlo, about Mexico's distinctly gendered time which she has named "ghost time." She is also a creative writer as historian and poet, and has written widely and deeply about longing, redemption, heroism, and most especially, dance. Her most recent poetry collection, "Glass Piano, Piano Glass," was published in 2010; her previous collection, Body Bach, came out in 2005.