非常抱歉，
你要访问的页面不存在，
非常抱歉，
你要访问的页面不存在，
非常抱歉，
你要访问的页面不存在，
验证码：
职称:Professor
所属学校:Princeton University
所属院系:Department of English
所属专业:English Language and Literature, General
联系方式:(609) 258-4074
Ph.D. UC, Irvine. Eduardo Cadava joined the English Department in 1989. An Associate Member of the Department of Comparative Literature, the School of Architecture, The Center for African American Studies, and the Princeton Institute for International and Regional Studies, he also serves on the Executive Committees of the Program in Media and Modernity, The Program in European Cultural Studies, the Program in Latin American Studies, and the Seeger Center for Hellenic Studies. He is a faculty member in the summer program at the European Graduate School in Saas-Fee and he has been the Benjamin Menschel Distinguished Visiting Professor in Architecture at Cooper Union. He specializes in American literature and culture, comparative literature, media technologies, literary and political theory, and theory of translation. He has written extensively on literature, philosophy, photography, architecture, music, democracy, war, memory and forgetting, race and slavery, human rights and citizenship, and the ethics of decision. He is the author of Words of Light: Theses on the Photography of History (Princeton UP), Emerson and the Climates of History (Stanford UP), and, with Fazal Sheikh, of Fazal Sheikh: Portraits (Steidl). He also has co-edited Who Comes After the Subject? (Routledge), Cities Without Citizens (The Slought Foundation and the Rosenbach Museum), a special issue of the South Atlantic Quarterly entitled And Justice for All?: The Claims of Human Rights (Duke UP), and The Itinerant Languages of Photography (Princeton University Art Museum and Yale UP). He has co-curated installations and exhibitions at the MAXXI Museum in Rome, the Slought Foundation in Philadelphia, and the Princeton University Art Museum, and he has co-produced and co-edited a DVD entitled Unpacking Derrida's Library (Slought Foundation and PIIRS), with recorded remarks by Judith Butler, Hélène Cixous, Hent de Vries, Avital Ronell, Gayatri Chakravorty Spivak, and Samuel Weber. He has translated several works by Jacques Derrida, Philippe Lacoue-Labarthe, and Maurice Blanchot, and recently has introduced and co-translated Nadar's memoirs, Quand j'étais photographe, which will appear with MIT Press in the fall of 2015. A collection of his essays on photography will appear in Spanish under the title La imagen en ruinas in Santiago, Chile in the spring of 2015, and his book Paper Graveyards: Essays on Art and Photography is forthcoming from Princeton University Press. He is presently working on a collection of essays on the ethics and politics of mourning entitled Of Mourning and Politics, and a small book on the relation between music and techniques of reproduction, memorization, and writing entitled Music on Bones.
Ph.D. UC, Irvine. Eduardo Cadava joined the English Department in 1989. An Associate Member of the Department of Comparative Literature, the School of Architecture, The Center for African American Studies, and the Princeton Institute for International and Regional Studies, he also serves on the Executive Committees of the Program in Media and Modernity, The Program in European Cultural Studies, the Program in Latin American Studies, and the Seeger Center for Hellenic Studies. He is a faculty member in the summer program at the European Graduate School in Saas-Fee and he has been the Benjamin Menschel Distinguished Visiting Professor in Architecture at Cooper Union. He specializes in American literature and culture, comparative literature, media technologies, literary and political theory, and theory of translation. He has written extensively on literature, philosophy, photography, architecture, music, democracy, war, memory and forgetting, race and slavery, human rights and citizenship, and the ethics of decision. He is the author of Words of Light: Theses on the Photography of History (Princeton UP), Emerson and the Climates of History (Stanford UP), and, with Fazal Sheikh, of Fazal Sheikh: Portraits (Steidl). He also has co-edited Who Comes After the Subject? (Routledge), Cities Without Citizens (The Slought Foundation and the Rosenbach Museum), a special issue of the South Atlantic Quarterly entitled And Justice for All?: The Claims of Human Rights (Duke UP), and The Itinerant Languages of Photography (Princeton University Art Museum and Yale UP). He has co-curated installations and exhibitions at the MAXXI Museum in Rome, the Slought Foundation in Philadelphia, and the Princeton University Art Museum, and he has co-produced and co-edited a DVD entitled Unpacking Derrida's Library (Slought Foundation and PIIRS), with recorded remarks by Judith Butler, Hélène Cixous, Hent de Vries, Avital Ronell, Gayatri Chakravorty Spivak, and Samuel Weber. He has translated several works by Jacques Derrida, Philippe Lacoue-Labarthe, and Maurice Blanchot, and recently has introduced and co-translated Nadar's memoirs, Quand j'étais photographe, which will appear with MIT Press in the fall of 2015. A collection of his essays on photography will appear in Spanish under the title La imagen en ruinas in Santiago, Chile in the spring of 2015, and his book Paper Graveyards: Essays on Art and Photography is forthcoming from Princeton University Press. He is presently working on a collection of essays on the ethics and politics of mourning entitled Of Mourning and Politics, and a small book on the relation between music and techniques of reproduction, memorization, and writing entitled Music on Bones.
