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职称:Allen Whitehill Clowes Professor of Fine Arts and Professor of African and African American Studies
所属学校:Harvard University
所属院系:Department of African and African American Studies
所属专业:African-American/Black Studies
联系方式:(617) 495-0781
Suzanne Preston Blier (Ph.D. 1981 Columbia, Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies, Harvard University) is an historian of African art and architecture in both the History of Art and Architecture and African and African American Studies Departments. She also is a member of the Institute for Quantitative Social Science Most recently she has published Art and Risk in Ancient Yoruba: Ife History, Power and Identity c.1300. (2015 Cambridge University Press) and with David Bindman and Henry Louis Gates, Jr. is publishing The Image of the Black in African and Asian Art (2015 Harvard University Press). A forthcoming volume addresses: Picasso’s Demoiselles: Pornography, Primitivism, and Darwin. Her first book The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression (Cambridge University press; paperback, Chicago University Press, 1987) won the Arnold Rubin Prize. Her second book, African Vodun: Art, Psychology, and Power (1995) received the Charles Rufus Morey Prize. Other books include: African Royal Art: The Majesty of Form (1998 Choice Book Award), Butabu: Adobe Architecture in West Africa (2004 NY Times, Holiday Selection), and Art of the Senses: Masterpieces from the William and Bertha Teel Collection (Editor 2004). Blier is a member of the Board of Directors of the College Art Association where she serves as Vice President for Publications from 2013-15 and Vice President for the Annual Conference (2015-); in 2011 two of her articles were selected for the Centennial Anthology of the Art Bulletin, comprising the 33 top articles over the journal’s 100 year history; she was one of only three art historians (along with Meyer Shapiro and Leo Steinberg) to have two articles included. In 2014 she published Art Matters focusing on the importance of African art and the museum. She is a past member of the Collège de France International Scientific and Strategic Committee. (COSS) (2011-2013) and was formerly on the Board of the Society of Architectural Historians. Fellowships include: CASVA (Paul Mellon Senior Fellow, the National Gallery of Art), John Simon Guggenheim, the Radcliffe Institute, NEH, the Institute for Advanced Study, Princeton, Fulbright Senior Research, Social Science Research Council, ACLS, Sterling and Francine Clark Art Institute, and the Getty Center for the Study of Art. She is Co-Chair of an Electronic Geo-Spatial Database: Africamap, a site expanding into Worldmap, where she serves as chair of the Faculty Steering Committee. A profile on Blier’s contributions to the field has appeared in the spring 2013 Harvard Graduate School publication, Colloquy essay, “Facing African Art.”
Suzanne Preston Blier (Ph.D. 1981 Columbia, Allen Whitehill Clowes Professor of Fine Arts and of African and African American Studies, Harvard University) is an historian of African art and architecture in both the History of Art and Architecture and African and African American Studies Departments. She also is a member of the Institute for Quantitative Social Science Most recently she has published Art and Risk in Ancient Yoruba: Ife History, Power and Identity c.1300. (2015 Cambridge University Press) and with David Bindman and Henry Louis Gates, Jr. is publishing The Image of the Black in African and Asian Art (2015 Harvard University Press). A forthcoming volume addresses: Picasso’s Demoiselles: Pornography, Primitivism, and Darwin. Her first book The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression (Cambridge University press; paperback, Chicago University Press, 1987) won the Arnold Rubin Prize. Her second book, African Vodun: Art, Psychology, and Power (1995) received the Charles Rufus Morey Prize. Other books include: African Royal Art: The Majesty of Form (1998 Choice Book Award), Butabu: Adobe Architecture in West Africa (2004 NY Times, Holiday Selection), and Art of the Senses: Masterpieces from the William and Bertha Teel Collection (Editor 2004). Blier is a member of the Board of Directors of the College Art Association where she serves as Vice President for Publications from 2013-15 and Vice President for the Annual Conference (2015-); in 2011 two of her articles were selected for the Centennial Anthology of the Art Bulletin, comprising the 33 top articles over the journal’s 100 year history; she was one of only three art historians (along with Meyer Shapiro and Leo Steinberg) to have two articles included. In 2014 she published Art Matters focusing on the importance of African art and the museum. She is a past member of the Collège de France International Scientific and Strategic Committee. (COSS) (2011-2013) and was formerly on the Board of the Society of Architectural Historians. Fellowships include: CASVA (Paul Mellon Senior Fellow, the National Gallery of Art), John Simon Guggenheim, the Radcliffe Institute, NEH, the Institute for Advanced Study, Princeton, Fulbright Senior Research, Social Science Research Council, ACLS, Sterling and Francine Clark Art Institute, and the Getty Center for the Study of Art. She is Co-Chair of an Electronic Geo-Spatial Database: Africamap, a site expanding into Worldmap, where she serves as chair of the Faculty Steering Committee. A profile on Blier’s contributions to the field has appeared in the spring 2013 Harvard Graduate School publication, Colloquy essay, “Facing African Art.”
