非常抱歉，
你要访问的页面不存在，
非常抱歉，
你要访问的页面不存在，
非常抱歉，
你要访问的页面不存在，
验证码：
职称:Emmet Blakeney Gleason Professor of Visual and Environmental Studies
所属学校:Harvard University
所属院系:Department of Visual and Environmental Studies
所属专业:Environmental Studies
联系方式:(617) 496-4287
Her latest book is Surface: Matters of Aesthetics, Materiality, and Media, published by the University of Chicago Press in 2014. Her seminal work Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the 2004 Kraszna-Krausz Book Award in Culture and History – a prize awarded to "the world's best book on the moving image" – and has provided new directions for visual studies. Atlas was also honored as Outstanding Academic Title by the American Library Association, and named a Book of the Year in 2003 by the Guardian. Her recent book Public Intimacy: Architecture and the Visual Arts (MIT Press, 2007) has been translated in Europe and Asia. For Streetwalking on a Ruined Map (Princeton University Press, 1993), a journey through modernity and cultural memory, she won the Society for Cinema and Media Studies annual award for best book in film studies. Off Screen (Routledge, 1988) was devoted to women and film, and Immagini allo schermo (Rosenberg & Sellier, 1991) was named one of the 50 Best Books of the First 100 Years of Film History. Professor Bruno has contributed to numerous monographs on contemporary art, including Isaac Julien for The Museum of Modern Art, 2014; Jesper Just for the Venice Biennale 2013 (and MAC/VAL, 2012); Jane and Louise Wilson (2004), Chantal Akerman (MHKA, 2012); Diana Thater (LACMA, 2015), and exhibition catalogues of the Museo Reina Sofia and the Solomon R. Guggenheim Museum. She also writes frequently on architecture and the visual arts for international books such as Automatic Cities: The Architectural Imaginary in Contemporary Art (MCASD, 2009), Space (MAXXI Museum for 21st Century Arts, Rome, 2010), and Ruins (MIT Press/Whitechapel Gallery, 2011). Professor Bruno lectures at universities and museums internationally, including, recently, the Shanghai Academy of Social Sciences, the Jewish Museum in Berlin, the Dia Center for the Arts, the Museum of Modern Art, the Tate Modern and the Louvre Museum. She is featured in Visual Culture Studies: Interviews with Key Thinkers (Sage, 2008) as one of the most influential intellectuals working today in visual studies.
Her latest book is Surface: Matters of Aesthetics, Materiality, and Media, published by the University of Chicago Press in 2014. Her seminal work Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the 2004 Kraszna-Krausz Book Award in Culture and History – a prize awarded to "the world's best book on the moving image" – and has provided new directions for visual studies. Atlas was also honored as Outstanding Academic Title by the American Library Association, and named a Book of the Year in 2003 by the Guardian. Her recent book Public Intimacy: Architecture and the Visual Arts (MIT Press, 2007) has been translated in Europe and Asia. For Streetwalking on a Ruined Map (Princeton University Press, 1993), a journey through modernity and cultural memory, she won the Society for Cinema and Media Studies annual award for best book in film studies. Off Screen (Routledge, 1988) was devoted to women and film, and Immagini allo schermo (Rosenberg & Sellier, 1991) was named one of the 50 Best Books of the First 100 Years of Film History. Professor Bruno has contributed to numerous monographs on contemporary art, including Isaac Julien for The Museum of Modern Art, 2014; Jesper Just for the Venice Biennale 2013 (and MAC/VAL, 2012); Jane and Louise Wilson (2004), Chantal Akerman (MHKA, 2012); Diana Thater (LACMA, 2015), and exhibition catalogues of the Museo Reina Sofia and the Solomon R. Guggenheim Museum. She also writes frequently on architecture and the visual arts for international books such as Automatic Cities: The Architectural Imaginary in Contemporary Art (MCASD, 2009), Space (MAXXI Museum for 21st Century Arts, Rome, 2010), and Ruins (MIT Press/Whitechapel Gallery, 2011). Professor Bruno lectures at universities and museums internationally, including, recently, the Shanghai Academy of Social Sciences, the Jewish Museum in Berlin, the Dia Center for the Arts, the Museum of Modern Art, the Tate Modern and the Louvre Museum. She is featured in Visual Culture Studies: Interviews with Key Thinkers (Sage, 2008) as one of the most influential intellectuals working today in visual studies.
