Rooted equally in musicology and history, Goodman’s projects display her fundamentally interdisciplinary approach to scholarship. Her article on the transatlantic intellectual history of affect in Puritan sacred music appeared in the Journal of the American Musicological Society. Goodman also publishes in the field of history, where her article on Native American psalmody was awarded the Richard L. Morton Award from the William and Mary Quarterly. Essays and conference papers drawn from her book project won prizes from the Society for American Music, the Society of Early Americanists, and the American Society for Eighteenth-Century Studies. Before coming to the University of Pennsylvania Goodman was an ACLS New Faculty Fellow at the University of Southern California, where her appointment was in the Department of History. At USC Goodman taught courses in American popular music, nationalism and transnationalism in music, the material history of music, and colonial American history. Goodman is invested in the digital humanities, and during her postdoctoral fellow Goodman also co-organized a colloquium series titled “Working with Digitized Manuscripts: New Approaches to Old Sources.” 0 0 1 343 1957 University of Pennsylvania 16 4 2296 14.0 Normal 0 false false false EN-US JA X-NONE Goodman received her PhD in Music from Harvard University in 2012, where she worked with faculty in both the Music and History Departments. Her dissertation was awarded the Wiley Housewright Dissertation Award from the Society for American Music. In addition to her scholarly pursuits Goodman is a violist. She received a Masters degree from the Juilliard School and a Bachelor of Music and a Bachelor of Arts from Oberlin College and avidly supports experimental music.