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职称:Professor
所属学校:University of North Carolina at Chapel Hill
所属院系:music
所属专业:Music Performance, General
联系方式:919-962-2276
Allen Anderson (Professor) received a Bachelor of Music (1973) from the University of California at Berkeley, a Masters of Arts (1977) and Doctor of Philosophy (1984) in Theory and Composition from Brandeis University. A composer and Director of the Composition, he teaches courses in composition, theory, and analysis. Before joining the UNC faculty in 1996, he taught at Columbia University, Wellesley College, and Brandeis University. He received the Philip and Ruth Hettleman Prize for Artistic and Scholarly Achievement by Young Faculty at UNC in 1999 and is a Fellow of the Institute for Arts and Humanities at UNC. Among other, he has composed works for the Raleigh Chamber Music Guild, Speculum Musicae, Ascolta, the Empyrean Ensemble, the UNC Chamber Singers, The Master Singers of Lexington, Aleck Karis, Thomas Warburton, Daniel Stepner, as well as UNC graduates Grace Kennerly and Sara Soltau. His work has been acknowledged with awards or commissions from the Guggenheim, Fromm and Koussevitsky foundations, Chamber Music America, BMI, League of Composers/ISCM (both the National and Boston chapters) and the Institute for Arts and Humanities at UNC. In 2005 he received the Goddard Lieberson Award from the American Academy of Arts and Letters. His music is published by C. F. Peters and APNM, and has been released on three recordings from CRI. Albany Records has recently issued An Opportunity for Mischief with five of his compositions. Recent works include Remove/________, a multi-movement work for mixed ensemble and five singers on the subject of the Cherokee Removal; solo compositions for flute, viola, and violin; Graffito for computer manipulated sound and digital images; and Et ex oculis subito for chorus, viola and percussion. He has composed scores for silent films: Hans Richter’s 1926 Filmstudie and the full-length 1922 Breaking Home Ties. In 2005, he completed Arnold Schoenberg’s choral setting of the Appalachian folksong “My Horses Ain’t Hungry.” In 2008, he wrote the music for Iceblink, a multi-media meditation on the Antarctic in collaboration with photographer and UNC flutist Brooks de Wetter-Smith that Centaur Records released as a DVD. He is currently completing work on an orchestra piece, Speak, Then.
Allen Anderson (Professor) received a Bachelor of Music (1973) from the University of California at Berkeley, a Masters of Arts (1977) and Doctor of Philosophy (1984) in Theory and Composition from Brandeis University. A composer and Director of the Composition, he teaches courses in composition, theory, and analysis. Before joining the UNC faculty in 1996, he taught at Columbia University, Wellesley College, and Brandeis University. He received the Philip and Ruth Hettleman Prize for Artistic and Scholarly Achievement by Young Faculty at UNC in 1999 and is a Fellow of the Institute for Arts and Humanities at UNC. Among other, he has composed works for the Raleigh Chamber Music Guild, Speculum Musicae, Ascolta, the Empyrean Ensemble, the UNC Chamber Singers, The Master Singers of Lexington, Aleck Karis, Thomas Warburton, Daniel Stepner, as well as UNC graduates Grace Kennerly and Sara Soltau. His work has been acknowledged with awards or commissions from the Guggenheim, Fromm and Koussevitsky foundations, Chamber Music America, BMI, League of Composers/ISCM (both the National and Boston chapters) and the Institute for Arts and Humanities at UNC. In 2005 he received the Goddard Lieberson Award from the American Academy of Arts and Letters. His music is published by C. F. Peters and APNM, and has been released on three recordings from CRI. Albany Records has recently issued An Opportunity for Mischief with five of his compositions. Recent works include Remove/________, a multi-movement work for mixed ensemble and five singers on the subject of the Cherokee Removal; solo compositions for flute, viola, and violin; Graffito for computer manipulated sound and digital images; and Et ex oculis subito for chorus, viola and percussion. He has composed scores for silent films: Hans Richter’s 1926 Filmstudie and the full-length 1922 Breaking Home Ties. In 2005, he completed Arnold Schoenberg’s choral setting of the Appalachian folksong “My Horses Ain’t Hungry.” In 2008, he wrote the music for Iceblink, a multi-media meditation on the Antarctic in collaboration with photographer and UNC flutist Brooks de Wetter-Smith that Centaur Records released as a DVD. He is currently completing work on an orchestra piece, Speak, Then.
