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职称:Gerhard L. Weinbert Distinguished Professor
所属学校:University of North Carolina at Chapel Hill
所属院系:music
所属专业:Music Performance, General
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John L. Nádas (Gerhard L. Weinberg Distinguished Professor in the College of Arts and Sciences) was born in Caracas, Venezuela. He received a B.F.A. in music from Tulane University in 1968; an M.A. from Villa Schifanoia (Florence, Italy) in 1975; and a Ph.D. in musicology from New York University in 1985 (Dissertation: “The Transmission of Trecento Secular Polyphony: Manuscript Production and Scribal Practices in Italy at the End of the Middle Ages,” under the direction of Edward Roesner). He taught at the University of California at Santa Barbara in 1982-83 before joining the faculty of the University of North Carolina at Chapel Hill. He has been a fellow of the Harvard Center for Italian Renaissance Studies (Florence, Italy, 1987-88). He was a Visiting Professor at Harvard University during fall 1998. Professor Nádas was Editor-in-Chief of theJournal of Musicology (2000-2008) and is a member of the editorial boards of the series Late Medieval and Early Renaissance Music in Facsimile (The University of Chicago Press), the journal Recercare, and the series “Ars Nova: Collana di Riproduzioni Fotografiche delle Fonti Italiane del Tre-Quattrocento” (Lucca: Libreria Musicale Italiana). His interests include the music of 14th- and 15th-century France and Italy, Monteverdi, and 19th-century Italian opera
John L. Nádas (Gerhard L. Weinberg Distinguished Professor in the College of Arts and Sciences) was born in Caracas, Venezuela. He received a B.F.A. in music from Tulane University in 1968; an M.A. from Villa Schifanoia (Florence, Italy) in 1975; and a Ph.D. in musicology from New York University in 1985 (Dissertation: “The Transmission of Trecento Secular Polyphony: Manuscript Production and Scribal Practices in Italy at the End of the Middle Ages,” under the direction of Edward Roesner). He taught at the University of California at Santa Barbara in 1982-83 before joining the faculty of the University of North Carolina at Chapel Hill. He has been a fellow of the Harvard Center for Italian Renaissance Studies (Florence, Italy, 1987-88). He was a Visiting Professor at Harvard University during fall 1998. Professor Nádas was Editor-in-Chief of theJournal of Musicology (2000-2008) and is a member of the editorial boards of the series Late Medieval and Early Renaissance Music in Facsimile (The University of Chicago Press), the journal Recercare, and the series “Ars Nova: Collana di Riproduzioni Fotografiche delle Fonti Italiane del Tre-Quattrocento” (Lucca: Libreria Musicale Italiana). His interests include the music of 14th- and 15th-century France and Italy, Monteverdi, and 19th-century Italian opera
