Based upon research and his personal experience as a cameraman, he has offered seminars and studios addressing the relationship of cinema and architecture in Schools of Architecture in the United States, Puerto Rico, France and Italy and has produced several documentary films with his wife, Judith Dwan Hallet, an internationally recognized documentary filmmaker. He has lectured widely on these subjects in both the United States and Europe and his observations have appeared in major international and national journals of architecture such as A2(Qatar), Architectural Record, Architecture Plus, Faith and Form, The Journal of Architectural Education, Ekistics, Mimar, The Afghan Journal (Austria), The Architect’s Journal (London), Ottagono (Italy) and IBLA, the Revue de l’institute des belles lettres arabe-CNRS. His book, The Traditional Architecture of Afghanistan, was co-authored with Rafi Samizay and published by Garland Press, The Mosques of Djerba (French and English texts) and Évolution d’un habitat : le monde berbère du Sud tunisien (French) by Blurb. He is presently working on a fourth book titled Architecture and the Moving Image. A descriptive publication of studio work exploring the same subject was exhibited at the Palazzo d’Aumale in Terrasini, Sicily. Recognized as a Fellow of the American Institute of Architects for his contributions to both architecture and architectural education, his work has been distinguished with 12 AIA design awards. He received a 25-year design award given by the Utah Chapter of the American Institute of Architects for the Quad Project. More recently, his own house, a 1998 recipient of a Washingtonian/DC AIA Chapter design award, was published in the Italian Journal Il Projetto and the American Journal Residential Architect. A finalist in the international competition for the DC Metro Canopy Competition, his proposal was reviewed in Cityscape by architectural critic, Benjamin Forgey of the Washington Post.